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‘My money don’t jiggle jiggle’: Louis Theroux and Jason Derulo team up for music video…

11 August 2022, 08:49 | Updated: 11 August 2022, 12:18

“My money don’t jiggle jiggle, it folds.” It was an immortal line by documentarian-turned-TikTok star Louis Theroux. And now he’s dropped a music video with Jason Derulo.

The national treasure said in the past that he doesn’t want to be a rap star, but that hasn’t stopped his hip-hop stock rocketing this year.

And now Theroux is starring alongside Derulo in a new music video… and ordering 500 chicken nuggets at a “Drive-Theroux”.

The clip starts with a view of a Hackney chicken shop as the documentary-maker drinks a bottle of red wine and launches into rap.

“My money don’t jiggle jiggle, it folds,” he says.

So how did the hit collaboration with the Talk Dirty maestro come about? Well, it’s a tale 20 years in the making.

Let’s dive in.

Louis Theroux raps during a documentary in New Orleans

It was the year 2000. The PlayStation 2 was all the rage and the Y2K bug had not turned out to be all that scary.

Theroux was filming an episode for his series Louis Theroux’s Weird Weekends in which he tried his hand at rapping, assisted by rappers on a local New Orleans radio station.

Wearing a pink patterned button up shirt and his trademark round glasses, he spits some rhymes about money… and his Fiat.

The lyrics notably include: “My money doesn’t jiggle jiggle, it folds.

“I wanna see you wiggle wiggle, for sure.

“It makes me wanna dribble dribble, you know.

“Riding in my Fiat, you really have to see it.

“I’m six feet-two in a compact, no slack.

“But luckily the seats go back.”

A respectable attempt for sure, but one that could easily have been forgotten in the mists of time.

Chicken Shop Date and spitting rhymes over chips

But the internet never truly forgets anything, and sure enough Theroux was asked about it during an appearance on Chicken Shop Date earlier this year.

He was interviewed by host Amelia Dimoldenberg, who asked him about the rapping incident.

Despite it being more than 20 years since the Weird Weekends episode, Theroux without hesitation launches into the rap as they sit in a Sam’s chicken shop.

The clip was picked up by Manchester-based duo Duke & Jones, who made an autotuned version which quickly went viral.

Already a household name on TV, Theroux was made a TikTok star with the video racking up nearly 80 million views.

And, of course, the clip inspired various TikTok dances.

In May, Theroux teamed up with Duke & Jones in the studio to release an official recording of “Jiggle Jiggle”.

A collaboration with Talk Dirty singer Jason Derulo

Clearly by this point the huge popularity of the 52-year-old documentary-maker’s rap had reached the ears of Jason Derulo, who presumably gave him a call.

In July a remix featuring Derulo – known for hits like Trumpets and Wiggle – Theroux and also Chicken Shop Date host Ms Dimoldenberg was released.

In the song, Theroux of course reprises his iconic “My Money Don’t Jiggle Jiggle, it folds” lines.

And now, on August 10 in the year 2022, the music video that the hit song demanded has finally landed.

The video starts with the camera zooming in on Well Street Fish & Chips in Hackney, as Derulo sings and Theroux talks about rapping in the past.

Theroux, sitting in the chicken shop drinking a bottle of red wine with Amelia “Dimz” Dimoldenberg, immediately launches into his famed bars.

They then take a ride in a Fiat – all six foot-two of him – and pull up to a Drive-Theroux.

“500 nuggets,” he orders. “And chips,” his companion adds.

Is this the start of a glittering rap career for Theroux? Is he destined to appear as a hologram at Coachella? Anything’s possible.




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Music on every corner for Glocester Scarecrow Festival | News

GLOCESTER – The Glocester Scarecrow Festival will be back for its sixth year with live music set up along Main Street in Chepachet thanks to a grant from the Rhode Island State Council on the Arts.

Mark Rechter, of the Glocester Scarecrow Festival, said the grant awarded to the Glocester Public Library, which co-hosts the event with the Chepachet Grange, will allow the festival to pay for several live acts this year during its opening day, Oct. 15, from 11 a.m. to 5 p.m.


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Merle Haggard On How His Ex-Wife, Bonnie Owens, Inspired His Country Music Hit, “Today I Started Loving You Again”

Merle Haggard is easily one of, if not THE, greatest country music singers that ever lived.

And though his life was far from perfect, he was never afraid to put those experiences into his songs and be as authentic and real about his struggles as he possibly could be.

And that includes the challenges that came along with his multiple marriages.

The Hag was married five times in total, and he was married to his second wife, Bonnie Owens, from 1965 to 1978. Of course, he also had a decades-long crush on the queen of country, Dolly Parton, which you can read about more in-depth here.

But back in 2012, Merle made a surprise appearance at the Country Music Hall of Fame and Museum forum, where he spoke with the Tennessean about his marriage to Bonnie.

She was also a musician, and won the ACM for Female Vocalist of the Year in 1965. She married Merle that same year, and started touring with him and helping take care of his kids from his previous marriage soon after.

Merle says he was in a really creative period during that time, too, and she encouraged him to keep going:

“I got into a heated period, where I was writing pretty good and it was right after she and I had gotten married.

If I even indicated that I was gonna write, she was there with a pad and a pen, and she didn’t miss anything, you know.”

He credits her for making sure some of his biggest hits, like “Mama Tried” and “Workin’ Mans Blues”, made it to the radio. If it wasn’t for Bonnie, he says those songs wouldn’t even exist:

“There wouldn’t have been no ‘Mama Tried’ or ‘Workin’ Man Blues’ if it wasn’t for her. She took those words down at the right time.

I think in ’68 or ’69, we had six BMI awards that year, and she took down the songs, each one of ’em, she had took ’em down.”

One of my favorite Merle Haggard songs, “Today I Started Loving You Again,” was written for Bonnie after they’d been out on tour together and were able to reconnect as a couple, he says:

“‘Today I Started Loving You Again’ was written for her. We’d been on a long tour down in Texas, we’d been down there 90-something days, and we got a week off and then we had to come back and do 45 more days.

And we took this week off, and we flew home and we were in the L.A. airport, and I said, ‘You know, we haven’t had much time to say hello’, talking to her. I said, ‘Today I started loving you again. I had time to start loving you again.’”

And like a true business woman, she responded with this:

“What a great idea for a song.”

He first included the beautiful track on his 1968 record The Legend of Bonnie & Clyde, and it also appeared on the tracklist for his 1970 album The Fightin’ Side of Me.

Of course, the song became an instantly recognizable country classic (though it never peaked in the top 10 on the country charts), that was later covered by other legends like Waylon Jennings, Conway Twitty, Kenny Rogers and plenty of other artists over the years.

Once Merle and Bonnie were back on the Texas tour after that week-long break ended, one night, Merle asked her to go get him a hamburger. He wrote out the song on the paper bag his food came in that night:

“I had written ‘Today I Started Loving You Again’ on this paper bag… tore it open and wrote it on there. There was another verse that we never did use.

When I get a royalty check, all the songs that I’ve written make up about half of the money. And ‘Today I Started Loving You Again’ is the rest of the money, and I only get 12% of it.

I’d written it for her, so I gave her half of it to begin with. Then we got our divorce, and she got another half.”

But the most incredible part of the interview comes when Merle talks about their relationship years after their marriage ended. He said it took a divorce for them to really realize they were never meant to be married, but they were able to build a friendship that lasted for many years as a result.

He added that they remained close all the way up until her death in 2006:

“I went to see her last time at the home where she was stayin’, and she was several years into the Alzheimer’s thing. She grabbed me by the arm, there was some other people with us, she said ‘I’ve got to take you down to my room.’

So I followed her down to the room, and she had this big slick of her and I up behind her bed.”

And you might want to grab a tissue before you read this part…

“And she looked at me and she said ‘He’s my favorite.’

And she didn’t identify me with that picture.”

I’m sorry, but I cannot even handle that… I think that’s one of the sweetest and most heartbreaking things I’ve ever heard.

And you have to listen to Merle tell the story himself, because he even gets choked up remembering that beautiful moment:

Watch this and try not to cry now…

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Soundbites: Mikahely Brings the Sounds of Madagascar to Vermont and Bonnie Prince Billy Kicks Off New Waitsfield Music/Film Series | Music News + Views | Seven Days

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Imagine spending your youth training to be a musician, writing songs, building a fan base and making a name for yourself — then moving to another country where not only does no one know you but they also don’t even recognize the genre of music you play. Sounds a little daunting, right?

That’s exactly what folk musician and singer-songwriter Mikahely did. After establishing himself in his native Madagascar as part of the popular duo Mika and Davis, recording albums and releasing radio hits in Malagasy and in French, Mikahely moved to the United States in 2017 with his American wife. They landed first in Maine and then moved to Burlington in 2019.

“No one in Vermont knew my music when I came here,” Mikahely told me as we sat on a park bench in Burlington’s Old North End last week. “But music is universal, yes? There should be no barriers, no divisions. The music can transcend language, and we can do what we should: love each other.”

Leaving a Madagascar music scene in which he had thrived was no easy feat for the musician, who taught himself to play guitar even though his father, a teacher, begged him not to pursue a career in music.

“I didn’t know how the business worked out here,” he admitted. “And, other than my wife, there was no one helping me to book shows or play with other musicians.”

For a time, Mikahely contemplated leaving music behind. But after booking shows at the Light Club Lamp Shop and Radio Bean, he saw his music taking root in Burlington, even though audiences didn’t understand the language in which he sang or were unfamiliar with Malagasy folk music.

The traditional style of Malagasy that Mikahely is most influenced by features highly melodic vocal parts and diatonic scales, often played on the guitar and the valiha, the national instrument of Madagascar. Made of bamboo, the zither-like instrument creates gorgeous harmonic parallel thirds when the player plucks its strings.

“These were not sounds anyone here had heard before,” Mikahely said. “I play in a lot of traditional Malagasy rhythms, so I was worried … that they would not resonate.”

His fears were unfounded. His sound caught on, resulting in more gigs, including the past two years at the Burlington Discover Jazz Festival, where he jammed with other local musicians, such as jazz guitarist Paul Asbell. Then, after receiving a grant from the Vermont Arts Council, Mikahely was able to do something he had wanted to do since leaving Madagascar: record a new album.

His first record made in America, Offshoots has the feel of a debut, even though Mikahely is far from a new artist. The album brims with energy and possibility as he creates a fusion between his older music and newer sounds.

“I grew up listening [to] — and love — traditional Malagasy music,” Mikahely explained. “I taught myself to play after I heard these songs and these sounds of my ancestors. I speak to them when I play.”

Yet he’s quick to point out that he’s always learning and inserting new things into his songwriting.

“I call this record Offshoots because I see these songs like branches, stretching from the tree,” he said. “I have those experiences, and I know those traditional songs in my heart, but I am also always changing and learning. The tradition, the conversations with my ancestors is the tree, and the offshoots are what comes from that.”

Mikahely hopes to continue expanding his reach and start playing shows around New England and in Montréal. Given that Vermonters have embraced his music, he’s hopeful that more people will be moved by his fusion of traditional Malagasy folk and his own unique style.

“The language doesn’t really matter,” said Mikahely, who speaks Malagasy, French and English. “If I can play music that will connect me to another person, the sounds will do the work and the spirit will come through.”

Offshoots is streaming on all platforms.

Psychic Happenings

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Bonnie "Prince" Billy - COURTESY

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  • Bonnie “Prince” Billy

New event series Astral Projection Presents launched in Woodstock last month. A joint venture of Abracadabra Coffee, Beer Mountain and La Pizza Lupo, along with support from Pentangle Arts, Astral Projection explores the intersection of film and music.

A press release from the organization calls the group “a hivemind of nostalgia, film reverence and music appreciation swirling about in the ethereal projector light of a century-old theater.”

The theater in question is Woodstock Town Hall Theatre, where Astral Projection hosts its monthly film and music events. Things kicked off on July 7 with a showing of the John Carpenter cult-classic film They Live, featuring “Rowdy” Roddy Piper and the greatest fight scene ever put on celluloid. Before and after the screening, a DJ spun sweet synthwave sounds to properly match the vibe of the movie’s Ronald Reagan-era satire.

The next event in the series is this Saturday, August 13, featuring a performance by singer-songwriter Bonnie “Prince” Billy — aka Will Oldham — with support from New Hampshire indie rockers Footings and Philadelphia noise punks Empath.

To celebrate the show, South Royalton’s Upper Pass Beer is brewing a special Bonnie “Prince” Billy beer called Ease Down the Road, a nod to the singer’s 2001 record of the same name.

The theater only seats about 300 people, so don’t sleep on grabbing a ticket. Doors open at 6 p.m., but get there at 4 p.m. for a beer garden behind the theater with a food pop-up from Ludlow’s GameBird and tunes from DJ Middle Management.

BiteTorrent

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Cricket Blue - COURTESY OF MONIKA RIVARD

  • Courtesy Of Monika Rivard
  • Cricket Blue

Indie rocker Sean Witters is back with his band, Invisible Homes, which last released a full-length record in 2014: Song for My Double. Witters said in an email that not only are remixes of his work by local producer Willverine on the way but a new LP is, as well.

In the meantime, Witters has released a new single and music video, “Pale Rage (for J.G. Ballard).” Witters said the writings of J.G. Ballard inspired him to write the song, particularly his subversive agit-pop story “Why I Want to Fuck Ronald Reagan.” (Hey, we’ve all been there before, right? No? OK.)

Much of Ballard’s short story, which includes characters who have an erotic fascination with Reagan, informed the writer’s 1973 hit novel, Crash. That novel, Witters wrote in an email, inspired music by Gary Numan and Joy Division, among others.

It’s fitting, then, that Witters fused those influences together for the new wave-leaning, synth-heavy “Pale Rage (for J.G. Ballard).” The track is an effervescent, dreamy slice of shoegaze, and the video is full of car crashes and trippy visuals of Reagan. Give it a listen and view on YouTube while we wait for the record.

If you haven’t gotten out to any of the Music in the Barn series shows this summer, now is the perfect time.

Started in 2020 by musicians Liam John and Sofia Hirsch, the series holds concerts in barns and barnlike venues around the state, including Richmond’s West Monitor Barn, the Sleepy Hollow Inn in Huntington and the Jericho Community Center. On Thursday, August 18, at the West Monitor Barn, folk band Cricket Blue headline, accompanied by a string trio. Another string ensemble, Trio Arco, opens the show.

Aside from taking in the beautiful scenery of an old barn in the Vermont countryside, Music in the Barn is an incredible chance to see some of Vermont’s best musicians play in places other than bars and theaters. Purchase tickets at musicinthebarn.com.


Musician, cartoonist and bike flipper James Kochalka has released the first video from his latest record, um, Bike Flipper. “Disco Nose” features Kochalka emoting wildly on the beach with family as he performs the a cappella love song.

Speaking of love songs, Kochalka told me by email that he is currently working on another new record, this one with producer Benny Yurco, which mostly will consist of “crushing love ballads.” Get ready to be emotionally crushed by Kochalka!


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Dua Lipa headlining Victorian Always Live festival with intimate concert at Palais Theatre, St Kilda, in October

From there, the idea of using taxpayer money to bring the Piano Man to Melbourne morphed into a 2018 election promise to stage a 10-day, statewide music festival. The festival will now stretch over an almost three-month season.

Metro shows

  • An exclusive evening with Dua Lipa: Palais Theatre, Sunday, October 3.
  • Rockin’ the Burbs, various: Saturday, October 22 – Monday, October 31.
  • Bad Apples House Party – Briggs, Mo’Ju, Chasing Ghosts and more: Curtin Hotel, Saturday, November 5. 
  • Blaktivisim – Yothu Yindi: Arts Centre Melbourne, Saturday, November 5.
  • Chapterfest 30: Northcote Theatre, Saturday, November 5.
  • Flow Festival: Footscray Community Arts Centre, Saturday, November 5.
  • An intimate audience with Sophie Ellis-Bextor: NGV International Garden Restaurant, Thursday, November 11.
  • Claptone – The Masquerade: Riva, Saturday, November 19.
  • Jess Cornelius: The Night Cat, Saturday, November 19.
  • Toro Y Moi: Northcote Social Club, Wednesday, November 23.
  • Frente 30 Years of Marvin the Album: Brunswick Ballroom, Thursday, November 24.
  • Big Thief: Melbourne Recital Centre, Friday, November 30. 
  • Lovely Day: Palais Foreshore, Sunday, December 4.
  • Sampa the Great: Hamer Hall, Friday, December 9.

Earlier this year headline acts Nick Cave and Billy Joel were announced to play at Hanging Rock and the MCG respectively. Already on the docket were performances from Khruangbin, Amyl and the Sniffers, Tash Sultana, Baker Boy, Isabella Manfredi, Middle Kids, Alice Skye and Isaiah Firebrace.

Gudinski’s original idea for Always Live was a 17-day festival spanning three weekends and featuring a “monster” event on each weekend.

Although the concept was personally championed and developed by Gudinski, it has been embraced by rival promoters, with Live Nation Asia Pacific president Roger Field and TEG chief executive Geoff Jones backing the festival and state cabinet’s decision to appoint Matthew Gudinski, Michael’s son and heir to the Mushroom music empire, to the chairman’s role.

Regional shows

  • OK Motels (Savage and the Last Drinks, Nice Biscuit, Elizabeth, Vintage Crop, Bad Bangs, Skyscraper Stan, Kino Motel, Smarts, Baby Cool, Enola and more): Charlton, Friday, October 28 – Sunday, October 30.
  • Crowded House (supported by Angus & Julia Stone and Boy & Bear): Gateway Lakes, Wodonga, Sunday, November 3.
  • The Alpine Festival – Jessica Mauboy: Pioneer Park, Bright, Saturday, November 12.
  • Nick Cave and Warren Ellis (supported by Courtney Barnett): Hanging Rock, Friday, November 25 and Saturday, November 26.
  • Almost Summer Festival: Capital Theatre, Bendigo, Friday, November 25 – Sunday, November 27.
  • QMF x First Plays – Queenscliff Music Festival (Baker Boy, Isabella Manfredi, Middle Kids and RVG): Queenscliff, Friday, November 25 – Sunday, November 27. 
  • Hometown – Isaiah Firebrace: Girgarre Sound Shell, near Echuca, Sunday, December 4.
  • Hometown – Alice Skye: Sawyer Park Sound Shell, Horsham, Saturday, December 10.
  • Tash Sultana (with Pierce Brothers, Kim Churchill, Kee’ahn, Little Green and Mark Howard) – Ocean Sounds: Churchill Island, Saturday, December 10.

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On Thursday Gudinski said the music festival would “reaffirm” Victoria as the music state of Australia.

“Always Live was a dream my late father had to reassure our state’s live music roots and I am proud to be part of the team making it a reality,” he said.

“We’re delivering the largest-ever live music celebration in Australia while supporting local jobs, businesses, artists and roadies around the state,” said Minister for Tourism, Sport and Major Events
Steve Dimopoulos on Thursday. “We’re bringing Victorians the live music experiences they love, to
destinations across the state.”


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Enjoy free events this weekend with sweetcorn festival, music fest

Riley Alger, 2, Keokuk, eats some sweet corn, during the first day of West Point's Sweet Corn Festival, Thursday Aug. 9, 2018, which runs through Sunday in downtown West Point, Iowa.

Thursday

Epicc Events & Entertainment, 1123 S. Ninth St., is hosting Sip n Paint from 7-10 p.m. Admission is $35 per person, and includes canvas and paint supplies, one alcoholic beverage, and a food bar. To learn more, check Sip n Paint on Facebook. 

Henderson County Public Library, Biggsville, Illinois, will host Movie Day at the Library at 2 p.m., showing “Over the Hedge.”

Jefferson Street Farmers Market is 4:30-7 p.m. in downtown Burlington, with live music by Jared Rouggly.

Keokuk Public Library, 210 N. Fifth St., will host Art in the Afternoon at 4:30 p.m.

Lunch at the Top serving a full meal for $7 is 11 a.m.-1 p.m. at First United Church of Christ, 611 Columbia. To order carryout, call (319) 754-4807 by 11 a.m.


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Temple to host Sanford Music Circle performance Aug. 25 – THE RANT

On July 3 at Watford Football Club Stadium in North London, Sir Elton John while performing his “Farewell Yellow Brick Road” tour gave a shout out to Ray Williams.

“Thanks to the guy who started the whole thing off,” John told the crowd.

Williams, now a Sanford resident, is credited with discovering John and introducing him to longtime lyricist Bernie Taupin. Williams managed John through his first five albums and is also known for discovering artists such as Jeff Lynne of ELO and Gerry Rafferty.

Williams helped found the Sanford Music Circle this year, with “Writers Round” performances in area venues and restaurants, documenting progress of each artist and their collaboration with mentors.

The success of the Writers Round caught the eye of filmmakers, and on August 25 the Temple Theatre in Sanford will play host to a performance of members that will be recorded for an upcoming movie.

Guests and collaborators include:

*Award winning actor, writer and director Chris Mulkey, who has a long and diverse career in film, television, stage. Best known for “On The Basis of Sex,” “Whiplash,” “Captain Philips,” “Twin Peaks,” “The Purge,” and more, he is also a songwriter with music featured in film and television.

*Britton Buchanan, Sanford native and runner up in Season 14 of NBC’s “The Voice,” who is now a singer-songwriter and has written with Rob Thomas, J.D. Souther, Alicia Keys, Kevin Griffin, and more.

*Frank Bruno of Wilmington, who draws songwriting inspiration from generations of artists including Bruce Springsteen, Mark Knopfler, Wilco, and more.

*Paige King Johnson of Angier, whose debut single “Water Down the Whiskey” climbed to number 29 on Music Row charts. She has worked with Pam Tillis, Scotty McCreery, and other Nashville music royalty.

*John Norris of Sanford, a founding member of the Sanford Music Circle who has recently become active in the country music scene.

*Jason Adamo of Raleigh, a songwriter who recently received a RIAA Gold Platinum Plaque for writing Brett Young’s “Beautiful Believer.”

*H.G. Murrell of Charlotte, who studied songwriting at the Liverpool Institute for Performing Arts and won a songwriting lesson with Sir Paul McCartney.

*Erik Hawks, a North Carolina native who spent five years writing songs with the Raleigh based “Young Yonder Band.”

*Whit Grumhaus of Chapel Hill.

*Emerson Bruno, a 2022 graduate of N.C. State University.

*Jesse Fox of Greensboro, who has been compared to a young Bob Dylan.

*Dalton Davis of Mamers.

The event will be hosted by local musician Chad Spivey.

The show is set for 7 p.m. on Aug. 25. Regular tickets ($25) and front row tickets ($35) can be purchased at http://www.templeshows.org.




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Watch: Girls’ Generation film ‘Forever 1’ music video in behind-the-scenes featurette

Aug. 10 (UPI) — South Korean girl group Girls’ Generation is giving a behind-the-scenes look at the making of its “Forever 1” music video.

The K-pop stars shared a featurette Wednesday that shows the members of Girls’ Generation on the music video’s set.

Girls’ Generation are seen in hair and makeup before singing and dancing on the video’s set.

The group released the “Forever 1” video last week. The video shows the members on a cruise ship-themed set and also taking to the air in a plane.

“Forever 1” is the title track from Girls’ Generation’s album of the same name, also released Friday. The album celebrates the 15th anniversary of the group’s debut and is their first since Holiday Night in 2017.

Forever 1 also features the songs “Lucky Like That,” “Seventeen,” “Villain,” “You Better Run,” “Closer,” “Mood Lamp,” “Summer Night,” “Freedom” and “Paper Plane.”

Girls’ Generation consists of Taeyeon, Sunny, Tiffany, Hyoyeon, Yuri, Sooyoung, Yoona and Seohyun. The group made its debut in August 2007.


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Study Found That the Choice Music You Listen to Could Relieve Pain

Shot of a young woman using a laptop and headphones on the sofa at homeDid you know that listening to music could impact your pain levels? According to a new study, people who were given the impression that they had control over their music choice experienced more pain relief than people who were not given any control.

The study published in PLOS ONE included 286 adults experiencing chronic pain who were asked to rate their pain before and after listening to a music track. Two different versions of the track were composed. Participants were randomly assigned to hear either the low- or high-complexity version. They were also randomly selected to be given the impression they had some control over the musical qualities of the track. However, these participants heard the same track regardless of their choice.

It was found that participants who felt they had control over the music reported more significant relief in the intensity of their pain compared to those who were not given the impression. All participants reported enjoying both versions of the track, but no links were found between the music complexity and the amount of pain relief. However, it was noted that participants who engaged actively with music in their everyday life had even greater pain-relief benefits.

These findings suggest that engagement and choice of music are important for pain relief. Further research is needed to explore the relationship between music choice and engagement. Strategies for boosting engagement are also needed to improve pain relief.

Pain Management

More and more people are turning to natural ways to help manage pain. Super Pain Relief is a natural formula that uses Palmitoylethanolamide (PEA), which has been shown in human clinical studies to help reduce multiple types of pain and inflammation. Another essential ingredient in Super Pain Relief is Quercetin, also known as a powerful inflammation fighter. This unique combination of natural ingredients will not only help with pain but can also improve mobility and decrease stiffness while maintaining overall health and wellness.

For on-the-go pain relief, turn to Pain Eraser, a topical solution that can temporarily ease pain and discomfort on contact. Its powerful pain-reducing abilities come from camphor, a proven natural pain reliever, and menthol, which helps to provide soothing relief to sore and stiff muscles. This convenient spray provides fast-acting relief, whether you are at home or on the go.


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Warner Music Canada inks exclusive worldwide distribution deal with indie label Chaos Club Digital

Vancouver-based Chaos Club Digital has entered an exclusive worldwide distribution deal with Warner Music Canada.

The announcement was made today by Chaos Club Digital CEO and founder Buk Nkosi.

Founded in 2019, Chaos Club Digital is a Vancouver-based music and technology company, in addition to providing management and creative services.

Chaos Club says that it is also developing proprietary technology related to the music industry.

Chaos Club Digital has developed a blockchain-based fan club called Holdr.

The company also runs a creative agency called Chaos Lab, which it says is an experimental studio focused on “crafting unique and progressive work for clients in the cultural sectors”.

Elsewhere at Warner Music Canada, Ajay ‘Charlie B’ Saxena and Nicholas Causarano joined the company as A&R Directors last month.

In May, Madelaine Napoleone joined Warner Music Canada as its VP, Marketing.

“We have built a strong relationship with the team and share the same vision for the future of music.”

Buk Nkosi, Chaos Club Digital

Buk Nkosi, CEO of Chaos Club Digital, said: “We are very excited to be partnering with Warner Music. We have built a strong relationship with the team and share the same vision for the future of music.”

“I’m so excited to be in business with Buk and the team at Chaos Club Digital. Their creativity and original thinking in both the music and tech space truly set them apart in our industry.”

Kristen Burke, Warner Music Canada

Kristen Burke, President of Warner Music Canada added: “I’m so excited to be in business with Buk and the team at Chaos Club Digital.

“Their creativity and original thinking in both the music and tech space truly set them apart in our industry.”

“I’m a huge fan of what Buk and his team are building, not just with their artists but also within the Web3 space.”

Andy West, Warner Music Canada

Andy West, EVP and GM of Warner Music Canada, said: “Chaos Club Digital is a future forward organization who work with such a dynamic roster of artists.

“I’m a huge fan of what Buk and his team are building, not just with their artists but also within the Web3 space.”Music Business Worldwide


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